{"id":8106,"date":"2016-07-02T10:20:57","date_gmt":"2016-07-02T15:20:57","guid":{"rendered":"http:\/\/maxwellhalsted.publish.uic.edu\/?page_id=8106"},"modified":"2020-11-28T14:53:40","modified_gmt":"2020-11-28T20:53:40","slug":"enlightened-reformer","status":"publish","type":"page","link":"https:\/\/maxwellhalsted.uic.edu\/home\/enlightened-reformer\/","title":{"rendered":"HULL-HOUSE &#8220;OASIS&#8221; IN A SLUM"},"content":{"rendered":"<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/3159.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/3159.jpg\" alt=\"\" width=\"461\" height=\"470\" \/><\/a><br \/>\nWhen Charles Hull stood on the steps of his new mansion at Polk and\u00a0Harrison streets, he took in a view of the city from what was a\u00a0suburban fringe of Chicago. The vast acres to the east stood unoccupied\u00a0with only the faint visages of streets outlined on the prairie. Even Halsted\u00a0Street at his doorstep was unpaved and minimally traveled.<\/p>\n<p>The\u00a0noise, congestion and smells of the commercial district to the north and the\u00a0lumber district to the south were far removed. Here, on the steps of his\u00a0mansion, he thought to watch his Chicago grow. Looking at an 1855 map of his\u00a0city, Hull had selected an area devoid of neighbors. The large blocks of land were not divided and subdivided like those closer to the heart of the city. Here, he was certain, others would follow in his footsteps. All in all, it seemed the perfect site for his new brick mansion and he would profit from the land boom.<\/p>\n<p>Charles Hull would soon have neighbors, but not the kind he\u00a0had envisioned. He did not know that the nature of the neighborhood\u00a0would change almost overnight. In pre-Fire Chicago, the rich lived\u00a0side by side with &#8216;middling&#8217; folk and neither would ever be very far from\u00a0the poor.<\/p>\n<p>The population of Chicago in 1855 was 31, 783 with 6000 Irish, 5000\u00a0Germans, 2000 English, 1000 Scotch and 500 from Southern Europe, a combined 22% from abroad. By\u00a01860, the population had expanded to 109,206 with a foreign-born element of\u00a055,000 or 50%. The majority of these newcomers were living in Charles Hull&#8217;s\u00a0front yard. European immigrants began to arrive in substantial numbers\u00a0during the late 1850s. On one day alone in 1857, over 3400 arrived from\u00a0New York. Some passed further on to the western prairie, but many remained, found jobs and settled into warrens and patches extending\u00a0westward across the unoccupied land, right up to Charles Hull&#8217;s doorstep.<\/p>\n<p>By the time of the Civil War in 1861, the Near West Side was a continually\u00a0changing neighborhood of unemployed, working poor and a rapidly\u00a0emerging, upward-bound middle class. Life in the nineteenth century was precarious, fragile even for the well-to-do. Hull&#8217;s wife died in 1860, and his son died in the cholera epidemic in 1866. The Hulls were soon gone from the neighborhood. In the 1870s the Mansion became a home for the elderly run \u00a0by the Little Sisters of the Poor. In the 1880s it became\u00a0a boarding house and warehouse\u00a0when\u00a0Jane Addams and Ellen Gates Starr first rented it in 1889. \u00a0bjb<\/p>\n<h3>INTRODUCTION: AN EVENT CALLED HULL-HOUSE<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/08\/916-IN-THESE-ENLIGHTENED-DAYS-Life-illus-992x1024.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/08\/916-IN-THESE-ENLIGHTENED-DAYS-Life-illus-992x1024.jpg\" width=\"381\" height=\"394\" \/><\/a><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gy7kcl86byzf2ioldhxe2d7apas8xua0\">An Event Called Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gxlpige075l95r6bfwrwmv2augkvpbog\">Daily Life at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gxlpige075l95r6bfwrwmv2augkvpbog\">Activities at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/z355swi71aiut33bpzos2rsmuu6ymhfl\">Music at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/er5affuq9jsz0764suebqan2wmchiyg6\">First Ladies of Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gweah1t0najvd0bqgbl1cl3dvbx4jdj3\">Evolution of the Idea of a Settlement House<\/a><\/strong><\/li>\n<\/ul>\n<h3><strong>HULL-HOUSE ON HALSTED:\u00a0PHOTO GALLERY<\/strong><\/h3>\n<p>An essayist and publicist, Jane Addams presumed that photography and imagery could establish a lasting public impression. Graphic forms had the capacity both to influence public opinion and frame public knowledge. Jane Addams, for one, admired the photographic portraits of Abraham Lincoln, first published in the 1890s, placing his character and maturity at a younger age on public display.<\/p>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/06\/903-LINCOLN-NEWLY-DISCOVERED-PORTRAITS-1024x494.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/06\/903-LINCOLN-NEWLY-DISCOVERED-PORTRAITS-1024x494.jpg\" width=\"683\" height=\"330\" \/><\/a><\/p>\n<p>The camera was a lasting presence at Hull-House from its early years, picturing the Settlement&#8217;s activities as uplifting models of education and enlightenment within the dark Chicago &#8220;slum.&#8221; \u00a0Jane Addams believed the images of Hull-House and portraits of her character belonged to everyone as public property in the domain of enlightened civilization. They testified as visual evidence to the female reformer&#8217;s good works and noble mission-inspired calling.\u00a0 bjb<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ko0tzfiwkn90k75oll94yrlmbt3muxe8\">Hull-House on Halsted<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/yfoivprg929f1v7id2exwaxr1y6272xb\">Hull-House Interiors<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/5awzl1h7tq0zpxxgh44w8zjswwyuw29j\">Arts Activities at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/w2pqxihs0prpgk8lpivqyuzthpy96ix4\">Child Care-Mary Crane Nursery-Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/e8ecvq638gmxvarqgq4iiy68gs7ckw7q\">Children Activities at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ajejf7txzi8ssrbzirogg0653f5h4qq4\">Hull-House Pictured In The 1890s<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/1p8n7yfiu2eynhcu9drwj7bhbcznncid\">Labor Museum at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/yuctw7x3vv1upl0lb4md7ih6ognfpxbs\">Music Activities at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/c9nqmxw16ahee1j9giqaube5b9iguizv\">Hull-House Resident Ladies<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/7jk6526h43ajpyb6u77plv4u3xzr3l73\">Florence Kelley at Hull-House, 1898<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/v1xexatxb1gkjvwijvfckp6z4q50qij9\">Jane Addams Pictured: Later Years by Wallace Kirkland<\/a><\/strong><\/li>\n<\/ul>\n<h3><\/h3>\n<h3><strong>SETTLEMENT HOUSE: AN &#8220;OASIS&#8221; IN THE SLUM (1895-1913)<\/strong><\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/2382.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/2382.jpg\" alt=\"\" width=\"347\" height=\"263\" \/><\/a><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/28_3288.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/28_3288.jpg\" alt=\"\" width=\"207\" height=\"306\" \/><\/a><\/p>\n<p>Dirty and densely crowded back streets and alleys with squalid and wretched low-class living conditions, dangerous places overrun by criminals and wickedness\u2013this was the widely publicized nineteenth-century image of the \u201cslum.\u201d In response, an audience of enlightened citizens both was perversely repulsed by the slum as evil and pruriently attracted to it as exotic. On the West Side, Settlement House benefactors publicized Hull-House as an &#8220;oasis&#8221; in a &#8220;moral desert,&#8221; a place which nourished life, sprouted beauty and happiness, and permitted the weary to rest. \u00a0bjb<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/07hfwzr4yhm7xsbv5uqpfaeryvu5s5w7\">An Oasis in Maxwell Street (1895)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/h9q3qwf92pc3xax4crh5mclwhrbj9a9g\">Chicago Five Maiden Aunts, The Women Who Boss Chicago To Its Advantage by William Hard (1906)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/pb1vox28sdb7o64p0xgdf20uxoizf3t0\">Gives Jane Addams Halo, Calls Settlement Worker a Saint (1906)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/jopfptics7ks2kpibp8ped0gdvdirlpj\">Oasis in Moral Desert, Social Settlement for Center of Saloon District (1906)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/d2v1ev89ezrndaen5841uz1vanb0wg1n\">The Best Women in Chicago (1906)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ill31jfmnq5d7bp6ta6kgm0lm28bprmo\">Day Nurseries of Chicago, Slum&#8217;s Oasis of Happiness (1909)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ux0zzcl7hbei7gn0ti9tgzpndrq2igzj\">Chicago is the First City to Establish Social Settlements in its Public Parks (1910)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/srjeid8am08ox6sy4q02ea961r0wqyrk\">Oasis in the City&#8217;s Desert Where the &#8220;Tired Girl&#8221; May Rest (1913)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/chicago-light-beautiful-domestic-order\/\">See <em>House Beautiful, Chicago Enlightened<\/em><\/a><\/strong><\/li>\n<li><a href=\"https:\/\/uofi.box.com\/s\/p9a3t8fxu26eli3323rlqvdhaozmg2oc\"><strong>See <em>Alice Hamilton, M.D., Hull-House Physician<\/em><\/strong><\/a><\/li>\n<\/ul>\n<h4><\/h4>\n<h3>\u00a0\u00a0<span style=\"font-size: 8pt\">\u00a0<\/span><strong>&#8220;SLUMMING&#8221; CLUB WOMEN AND REFORMERS (1906-1909)<\/strong><\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3282.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3282.jpg\" alt=\"\" width=\"464\" height=\"422\" \/><\/a><\/p>\n<p>The act of \u201cslumming\u201d or visiting the slime pits of the inner city for philanthropic, disreputable, or amusement purposes began in the 1880s. Club women and reformers were attracted to the philanthropic opportunities, secret adventures, and illicit attractions during excursions to the nether regions of Chicago\u2019s West Side.<\/p>\n<p>Nels Anderson, who grew up on West Madison Street and intimately knew the scene observed that \u201cslumming has become a popular and profitable pastime. Slumming is such a craze, in fact, that it carries through the twenty-four hours of the day. There is the daylight crowd looking for sentiment and souvenirs, the white-light crowd dining in colorful restaurants till midnight, and the red-light crowd burning the candle at both ends till dawn. \u00a0There is another emotional class who feel that the slum is a sore spot on the body urban, and they hope by organized effort to be rid of it. \u00a0That is a big order and pathetically naive.\u201d<\/p>\n<p>Jane Addams was old school, an aesthetic practitioner of plain dress, physical restraint, and spiritual mastery of character. Indeed, there are no photos of Addams walking on city streets outside the cloistered confines of Hull-House nor any photos of Hull-House residents walking on local streets. A single photo by Lewis Hine of a well-dressed group of three women and two men strolling down Halsted in front of the saloon across the street from Hull-House with two unemployed workers casually standing against the building and eyeing them does not identify the strollers, only the location. Addams who had commissioned the Lewis Hine photo rejected it for the publication of her autobiography,\u00a0<em>Twenty Years at Hull-House<\/em>\u00a0(1910).<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/w750nco3o21ll3u3k2rshyu8jkfs6q5p\">100 Club Women, Church Workers, and Reformers Unite to Clean Chicago Red Light District (1907)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/sk4b3hr6ttnyic61edtceilddqd08kel\">Slumming Parties (1907)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/u8y11eb1u8517dwj7hhpiyg2cdln8jrb\">Slumming Trips For Children (1907)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/q5gsb1badi8hbp8ypzmras3ql2el59ci\">What We Saw During Our Slumming Tour (1907)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/c14zmvc346d8ev6mcc33735qzbxbt8sh\">Fight Migration of Levee Women (1909)<\/a><\/strong><\/li>\n<\/ul>\n<h3>HULL-HOUSE ESSAYS ON THE MAXWELL STREET DISTRICT GHETTO AND SLUM<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/2838.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/2838.jpg\" alt=\"\" width=\"491\" height=\"483\" \/><\/a><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/a1pp159y6p112mj9j21mel2vtgq4cf3c\">Charles Zueblin, \u201cThe Chicago Ghetto\u201d (1895)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/l9oqufajpc74uh43raz4hi2k2ntq4ern\">Agnes Sinclair Holbrook, \u201cMap Notes and Comments\u201d (1895)<\/a><\/strong><strong>\u00a0 \u00a0 \u00a0\u00a0<\/strong><\/li>\n<li><strong><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/maxwell-st-architecture\/\">See<em> Maxwell Street Architecture Tour<\/em><\/a><\/strong><\/li>\n<\/ul>\n<h3>HOUSEKEEPING: PERSONAL EXPERIENCES LIVING IN A SETTLEMENT HOUSE<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/1958.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/1958.jpg\" width=\"494\" height=\"414\" \/><\/a><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/n3ubcy6fmadnklrv8h4vqn1hfg260s4m\">Wallace Kirkland, Jr., \u201cA Childhood Living at Hull-House\u201d<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/tn6vm7tdljpzlfonmtksej9ogkr6xfr2\">Wallace Kirkland, Jr., \u201cInterview with Dr. Wallace Kirkland, Jr.\u201d<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/bjxutqtmmm98lm704lkx4t4y9p3r2cfd\">Nicholas Kelley, \u201cEarly Days at Hull-House&#8221;<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/v85aaaf1hhcfjserf440wpz2yjx7anyo\">Florence Kelley, \u201cI Go to Work\u201d (1898)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/sjz7o5kdlm1z32d7yuf645vz1bnao82s\">May Brown Loomis, \u201cThe Inner Life of the Settlement\u201d<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/glx9yxge0mha7gkc465tkco4qba47tno\">Bertha Johnston, \u201cSocial Settlement Life in Chicago\u201d<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/my2z1v2j1jjzux2n4472qqqjyrovzvyi\">Jane Robbins, \u201cThe First Year at the College Settlement\u201d<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/4wr0ewzlracpon288j9j82ol7yj7y18q\">Harriet Rice, \u201cLetter to Miss Jane Addams\u201d (1928)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/lgqyrt3zwk7ulvqjuxozsmya6b43c16f\">Harriet Rice, \u201cLetter to Miss Mary\u201d (1933<\/a><\/strong><\/li>\n<\/ul>\n<h3>HULL-HOUSE NEIGHBORS RESPOND<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/0585.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/0585.jpg\" alt=\"\" width=\"152\" height=\"545\" \/><\/a><br \/>\nNot all neighbors were favorable to Jane Addams&#8217;s motives and means.<\/p>\n<p>In 1911 McG. wrote Addams in response to the publication of <em>Twenty Years at Hull-House<\/em> in the following unedited letter:<\/p>\n<p>&#8220;Miss Adams:\u00a0I have been reading in your book called Twenty years at Hull House and I cant make enny thing out of it except that you have a verry high oppinion of Jane Adams and of the mirth of her soul. When you look through the book for enny thing that seems like sympathy you get a lemon. I was a neighbour of Hull House when it first started up and I got help in menny ways especially where I was a member of the Lincoln Club but since it has to be run by capitelists who can afford to give some of the tained money they have squeezed out of there brothers Hull House dont stand for enny thing in particular that counts. I think you started out all right. But you have got off the track. You have tryed to cary water on both sholders and you have got your head turned. Perhaps you will turn back one of these days when you get enough experience. This is the hope of a friend of Hull House 15 years ago.&#8221;<\/p>\n<p><strong><span style=\"font-size: 14pt\">Oral History interviews archived in the Hull-House Museum<\/span><\/strong><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/z5gkyu4uodroq9axz29j47tt7rssima9\">Eleanor Farwell<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/y6ew7kjjz43xla9fw568ccqk3y5mre32\">Gertrude Colletta<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/7nnaktpjqtqkxxtlce20ta81sv6ti1s7\">Nesta Smith<\/a><\/strong><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>LABOR MUSEUM AT HULL-HOUSE<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4042.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4042.jpg\" width=\"298\" height=\"492\" \/><\/a><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4049.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4049.jpg\" width=\"267\" height=\"490\" \/><\/a><\/p>\n<p>A Labor Museum was originally suggested to Jane Addams by the \u201cItalian Colony\u201d adjacent to Hull-House. Many living older women originally from Italy had \u201cspun and wove the entire stock of family clothing,\u201d and were continuing to twist fiber into thread and spin using \u201cthe primitive form of spindle and distaff.\u201d \u00a0Addams observed that their young and ambitious children working with advanced machines in industrial factories now treated their elders as antiquated, \u201cuncouth and un-American.\u201d<\/p>\n<p>The Museum aimed to restore dignity and draw attention to older picturesque forms of labor, to restore the pride and confidence of youth in their parents skills and their national heritage, and to draw the social connection between the satisfaction of skilled work and the well-being of society. Addams purposely selected the word Museum in preference to School to disassociate it from childish tasks, Albeit the presentation of the Museum would contrive \u201csome fascination of the show\u201d with traditionally costumed workers performing on a stage.<\/p>\n<p>There were six departments in the Museum: Woods, Book-binding, Textiles, Grains, Metals, Pottery. Providing the old people an opportunity to display their craft skills in a Labor Museum, Hull-House hoped to achieve the following:<\/p>\n<p>1. A realization of the \u201cpicturesqueness of industrial processes\u201d invested with a \u201ccharm\u201d now absent in the \u201cbarren\u201d and \u201cmonotonous\u201d life of contemporary production.<\/p>\n<p>2. To give the younger generation in shops and factories an appreciation of the physical properties of the materials they were handling, and the steps of production required to make a quality finished product from raw materials.<\/p>\n<p>3. To help the older generation reassert their position in the community to \u201cwhich their position and training entitle them.\u201d But which they lost because of \u201clacking in certain superficial qualities too highly prized by the young people.\u201d bjb<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/tpg0ka383pxpo15esv0ptj48jmec2r17\">Jane Addams, Labor Museum at Hull-House (1900)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/kej7mc0hwodabh8ggapmvswebhpp23dr\">First Report of a Labor Museum at Hull-House (1901-1902)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/1p8n7yfiu2eynhcu9drwj7bhbcznncid\">Labor Museum at Hull-House: Photo Gallery<\/a><\/strong><\/li>\n<li><span style=\"font-size: 12pt\">\u00a0<strong><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/8305-2\/section4\/\">See<em> Strike, Walkout, Wage and Labor Action<\/em><\/a><\/strong><\/span><\/li>\n<\/ul>\n<h3><\/h3>\n<h3><\/h3>\n<h3>MUSIC AND MUSIC EDUCATION AT HULL-HOUSE<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/10\/1170.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/10\/1170.jpg\" alt=\"\" width=\"468\" height=\"401\" \/><\/a><\/p>\n<p>The sounds and evidence of music appreciation and music education, both sacred and secular, were everywhere on West Side city streets. Italians gesticulated when singing Neapolitan songs, Talmudic male Jews swayed and chanted fingering their shawls and repeating the commandments, peddling criers rhythmically shouted out their wares from wagons. Walking the local streets, Theodore Dreiser observed that the \u201caccordion, the harmonica, the Jews Harp, and the clattering tin-pan piano or stringy violin were forever going.\u201d The band leader, Benny Goodman, learned his music in the local synagogue, adapted it in Hull-House, and incorporated the jazz of Chicago\u2019s African-American beat and rhythm to produce a fresh ballroom sound for\u00a0the increasingly popular and swinging dance floor.<\/p>\n<p>An immigrant in the neighborhood who survived the murderous patriotic nationalism in World War I wrote Jane Addams: \u00a0&#8220;If my countrymen could have seen at the Christmas exercises at Hull-House the little negro boy beside the Mexicans and Italians, all singing together, they would ask, &#8216;Why has my youth been poisoned? \u00a0Why did we have to live through hunger, disease, constant yellow fear of death?&#8217; when children of all colors can sing to the same Lord of Peace, at Hull-House.&#8221; \u00a0 bjb<\/p>\n<ul>\n<li><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/promiscuous-amusements\/popular-music-and-musicians\/\"><strong>See <em>Popular Music: Promiscuous Amusement<\/em><\/strong><\/a><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>HULL-HOUSE BOY&#8217;S BAND<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/05\/1821-e1495301865323.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/05\/1821-e1495301865323.jpg\" width=\"442\" height=\"385\" \/><\/a><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/bt2ar7czchvr1z5w4amyvpmzmq4sfne4\"><em>First Decades of The Boy&#8217;s Band<\/em> by Aaron Lamb<\/a><\/strong><\/li>\n<li><em><strong><a href=\"https:\/\/uofi.box.com\/s\/z355swi71aiut33bpzos2rsmuu6ymhfl\">Music at Hull-House<\/a><\/strong><\/em><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>BENNY GOODMAN KING OF SWING AT HULL-HOUSE<\/h3>\n<h3><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/05\/0206-e1495301490244.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/05\/0206-e1495301490244.jpg\" width=\"527\" height=\"392\" \/><\/a><\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gmy9mechy3cz75qioi35ozg4jekxvcjq\">Benny Goodman and the Hull-House Boy&#8217;s Band<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/fdnimip7egcbktib4p4tsbt2jkmle0or\">Music Education at Hull-House<\/a><\/strong><\/li>\n<\/ul>\n<h3>PHOTO GALLERY<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/yuctw7x3vv1upl0lb4md7ih6ognfpxbs\">Music Activities at Hull-House<\/a><\/strong><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>HULL-HOUSE &#8220;WAR&#8221; AGAINST &#8220;VICIOUS AMUSEMENTS&#8221;<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/0591.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/0591.jpg\" width=\"460\" height=\"415\" \/><\/a><\/p>\n<h3>INTRODUCTION<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/wl0lbmk4wnwn4hkv5bt5qm6onjxnlyt5\"><em>Jane Addams&#8217;s War on &#8216;Vicious Amusements&#8217;<\/em> by Stephen A. Brown<\/a><\/strong><\/li>\n<\/ul>\n<h3>JANE ADDAMS<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/895a88o7s10qpdf8umfnge5ww1irtwnx\">The House of Dreams<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/rwqjeluiw53ako3iq0e9chav90hx69e1\">City Dance Halls<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/dsr1x67zojnavt89sxu1j9o25tqiaunf\">Street Music<\/a><\/strong><\/li>\n<\/ul>\n<h3>LOUISE de KOVEN BOWEN<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/2qmv712kowk3y5tgi7jt93wzghu1wisc\">Louise Bowen Biography<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/08xwk8h9gz3aqvpwkrl03r43bqrghg2h\">Dance Halls (1911)<\/a><\/strong><\/li>\n<li><a href=\"https:\/\/uofi.box.com\/s\/vodk5o6jfhb2cvyafb6rktm709se1cr1\"><strong>Public Dance Halls in Chicago (1912)<\/strong><\/a><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/a51oyid7wci1tv9wv1sa57krngzp7xwq\">The Road To Destruction Made Easy In Chicago (1916)<\/a><\/strong><\/li>\n<li><strong>\u00a0<a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/girls-mothers-children-everywhere\/children-children-everywhere\/\">See <em>&#8220;Defective&#8221; &#8212; &#8220;Delinquent&#8221; Children: Reformers<\/em><\/a><\/strong><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>HULL-HOUSE VISITORS, RESIDENTS, AND GUESTS: MIND-SET OF LIBERAL SOCIAL REFORMERS<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/1206.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/1206.jpg\" width=\"463\" height=\"456\" \/><\/a><\/p>\n<h3><span style=\"text-decoration: underline\">WILLIAM STEAD<\/span>, <em>IF CHRIST CAME TO CHICAGO<\/em>,<em> Successful British newspaper editor identified with early use of investigative techniques and inflammatory exposes of urban political corruption and cruelty towards the underclasses.\u00a0<\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/g6ynb8z3joncoos3n8ustup3kkq2wzve\">Preface<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/m7wlzuszge9xt9pvhhkuxctg3e83c738\">Part I Chapter 1 &#8211; In Harrison Street Police Station<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ncuj3c0a7swqr7p6gnw37sdeqpsu75aw\">Part I Chapter 2 &#8211; Maggie Darling<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/bkoluxwu3sc9kwwwenc7fx3484jzkbsi\">Part I Chapter 3 &#8211; Whiskey and Politics<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/x60sjr2dkd6s12zci414r5dc7rjwggot\">Part I Chapter 4 &#8211; The Chicagoan Trinity<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/auiag7h85uuoj31xhxo0i0tala7mw50m\">Part I Chapter 5 &#8211; Who are the Disreputables?<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/et1ewvsiysw44zn6c275jq9dgzus6zvs\">Part I Chapter 6 &#8211; The Nineteenth Precinct of the First Ward<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/cmlimbzth32g0sep3lrn3qgmij9m64t4\">Part V Chapter 5 &#8211; Who is my Neighbor<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/gqu9lxno9gmxi1ztys461cuso4mb1mu2\">Part V Chapter 6 &#8211; In the 20th century<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><span style=\"text-decoration: underline\">BEATRICE WEBB<\/span>, <em><span style=\"font-size: 14pt\">British Fabian socialist, sociologist, economist, labor historian and social reformer who coined the term &#8220;collective bargaining&#8221;<\/span><\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/jsovappzqal0vwrx4eog4323h6q8rlsu\">Beatrice Webb, &#8220;American Diary&#8221; (1898)<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><span style=\"text-decoration: underline\">JOHN DEWEY<\/span>, <em>American philosopher of \u201cPragmatism\u201d and instrumental leader at the University of Chicago in formation of fields of Progressive Education and Social Psychology.\u00a0Visitor and participant at Hull-House. \u00a0&#8220;The School as a Social Center&#8221; was a seminal and influential essay with fresh perspectives on reforming teaching techniques and curriculum selection in struggling urban schools with mandates for compulsory attendance.<\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/xoqascxjd0sttqxuyoubwoacrxi1gz05\">John Dewey, \u201cThe School as Social Center\u201d (1902)<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><span style=\"text-decoration: underline\"><strong>WILLIAM HARD<\/strong><\/span>, \u00a0<em>Hull-House resident in 1902.<\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><a href=\"https:\/\/uofi.box.com\/s\/h59imtfy1uql66cjoug354tgh6t4x8lq\"><strong>William Hard Biography<\/strong><\/a><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/esa5q6v1tl9kspn7n25rbq9wwkijg9gj\">William Hard, \u201cChicago\u2019s Five Maiden Aunts: the Women Who Boss Chicago Very Much to its Advantage\u201d (1908)<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><span style=\"text-decoration: underline\"><strong>WILLIAM W.D.P. BLISS<\/strong><\/span>, <em>clergyman, social gospel reformer, labor union member, and advocate of the collective ownership of means of production in socialism as the economic spirit and ethical ideal of Christianity.<\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/vaywista45o2ve9pplaa7ro0u4ecvbvx\">William W.D.P. Bliss, \u201cHull House, Chicago\u201d (1908)<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><span style=\"text-decoration: underline\"><strong>FRANCIS HACKETT<\/strong><\/span>,<em> Irish born and educated \u00a0writer, \u00a0moved into Hull House in 1906 and taught English to Russian Immigrants.<\/em><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><a href=\"https:\/\/uofi.box.com\/s\/z0qj4x4j6zaj1ok34ad65de552496b92\"><strong>Francis Hackett Biography<\/strong><\/a><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/h6fpvxm741iixs7p4h5takefe9bda4os\">Francis Hackett, \u201cHull-House\u2013a Souvenir\u201d (1925)<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/3fgucj2oc5uv64q028k32go7pod3frc8\">Francis Hackett, \u201cHull-House,\u201d American Rainbow: Early Reminiscences&#8221; (1971)<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/912-SUFFRAGET-APPEALING-WEST-SIDE-VOTERS-1001x1024.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/912-SUFFRAGET-APPEALING-WEST-SIDE-VOTERS-1001x1024.jpg\" width=\"356\" height=\"365\" \/><\/a><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/08\/904-FOR-THE-PUBLIC-GOOD-Puck-705x1024.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/08\/904-FOR-THE-PUBLIC-GOOD-Puck-705x1024.jpg\" width=\"271\" height=\"393\" \/><\/a><\/p>\n<h3><\/h3>\n<h3>HULL-HOUSE MAPS AND PAPERS: A PRESENTATION OF NATIONALITIES AND WAGES IN A CONGESTED DISTRICT OF CHICAGO (1895)<\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/1997-hhnat1.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2015\/04\/1997-hhnat1.jpg\" alt=\"\" width=\"476\" height=\"696\" \/><\/a><br \/>\nIn the early years after the founding of Hull-House in 1889, Jane Addams was less focused on poverty and social conditions in the district than in promoting lectures and forming group activities at the fledgling Settlement House. Florence Kelley from a very different background had other concerns. In 1892 the Commissioner of Labor appointed her in Chicago, Illinois special agent for an investigation of slums including four major cities, Baltimore, Chicago, New York, and Philadelphia \u00a0Only nineteenth-century Chicago in the Midwest was not in its origins an\u00a0eighteenth-century walking town on the eastern seaboard.<\/p>\n<p>After Kelley and her cohort of social workers surveyed tenement residences, block by block, family by family, apartment by apartment did the idea of a book emerge. Multi-color coded maps highlighted the specific findings of wages and nationalities on streets circumscribed as a \u201cslum\u201d\u00a0adjacent to Hull-House.\u00a0Between the\u00a0high cost of producing the linen maps and the limited audience for such an innovative work, the publisher with letters of endorsement in hand proceeded with the publication but with no enthusiasm. There was no second printing.\u00a0 \u00a0bjb<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/chicago-dark-grotesque-slum-lawless\/story-of-the-slum\/\">See<em> The Slums: of Baltimore, Chicago, New York, and Philadelphia by Carroll D. Wright<\/em><\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/xfnni3it9exb1v3ab6eix20w3uiggypp\">Hull-House Maps and Papers (1895)<\/a><\/strong><\/li>\n<\/ul>\n<h3>INTRODUCTION<\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/754kztmqkkv336vktvwzjynt1avw5oej\"><em>&#8220;A Kodak View&#8221;: Maps in Hull-House Maps and Papers<\/em> by Laura Iandola<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3>NATIONALITY &amp; WAGE MAPS (1893-1895)<\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/pr8hrse7p27y01u9eqix2t234blzkjv5\">Wage Map No. 1<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/nxmgr4ii0rs3g158otulr0ohrvxp3n87\">Wage Map No. 2<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/fsbg3nc0o70tcmg8hg3uj1wgi1iwyujb\">Wage Map No. 4<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ucno8nh2oozyi955m739gn9ztfuxqs06\">Nationalities Map No. 1<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/go2m0f9sbe7q0wun5elc4yenp4nlfmi5\">Nationalities Map No. 2<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/99heoy09x8rufrh3wh1ixasr1nwvc41x\">Nationalities Map No. 3<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/ldiflneaj67z013fatw5k6qjnsoe6mve\">Nationalities Map No. 4<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><strong>SCHEDULES FOR SPECIAL AGENTS (1893-1895)<\/strong><\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/decgrzrv9exun0pdt274ix0dmv0gy60d\">Tenement Schedule<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/5nr6tkktu8nv4ubbx8zxhd0k9xn63kh8\">Family Schedule Side 1<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/q3seq0i65lw4okdzb75tyg1yh204otif\">Family Schedule Side 2<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2><\/h2>\n<h3><strong>JANE ADDAMS &#8220;AUTOBIOGRAPHY,&#8221;\u00a0<em>AMERICAN MAGAZINE,\u00a0PHOTO BY HINE\u00a0<\/em>(1910)<\/strong><\/h3>\n<h3><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3288.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-8972\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3288-203x300.jpg\" alt=\"\" width=\"233\" height=\"344\" srcset=\"https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3288-203x300.jpg 203w, https:\/\/maxwellhalsted.uic.edu\/files\/2016\/08\/3288.jpg 317w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/a>\u00a0<a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/03\/3289.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-13819\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/03\/3289-217x300.jpg\" alt=\"\" width=\"248\" height=\"343\" srcset=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/03\/3289-217x300.jpg 217w, https:\/\/maxwellhalsted.uic.edu\/files\/2017\/03\/3289.jpg 336w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/><\/a><\/h3>\n<p>In the Fall of 1910, Macmillan &amp; Co. published Jane Addams\u2019s signature book,\u00a0<em>Twenty Years at Hull-House: With Autobiographical Notes<\/em>. Addams began to publish the early chapters of her prudently fashioned autobiography in 1906 in the\u00a0<em>Ladies Home Journal<\/em>, a housekeeping magazine brimming with advertisements featuring status-conscious women intimate with the proper furnishing of a well-provisioned middle-class home.<\/p>\n<p><em>Ladies Home Journal<\/em>\u00a0was an odd venue for a reformer proposing to build an audience responsive to a progressive agenda. However, with circulation over one million,<em>\u00a0LHJ<\/em>\u00a0had become the most successful monthly magazine with high production values in the period<\/p>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/905-MAR-e1499437981643.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/905-MAR-e1499437981643.jpg\" width=\"278\" height=\"278\" \/><\/a><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/910-AUG.jpg\"><img loading=\"lazy\" class=\"details-image alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/910-AUG.jpg\" width=\"192\" height=\"274\" \/><\/a><\/p>\n<p>As a recognized public intellectual, celebrated female role model, and literary person of contemporary note, Jane Addams pursued the publicist\u2019s opportunity to expand her prominence and visibility as America\u2019s foremost reformer. Richard T. Ely, economist at the University of Wisconsin, testified for her deserved recognition, \u201ca big women who knows the facts \u2026. we need more democratic feeling.\u201d<\/p>\n<p>The pictures of Hull-House appearing in the\u00a0<em>LHJ<\/em>\u00a0series of articles were institutional bricks and mortar, a material built environment. Hull-House projected itself\u00a0as a\u00a0city on a hill, reaching skyward and towering over the few diminutive persons down below on the street. Slum neighborhood scenes of scuzzy streets, dirty alleys, and impoverished pedestrians were viewed from the protected space inside Hull-House through ornamented glass pane windows.<\/p>\n<p>For the book publication of the Autobiography in late October 1910, Macmillan &amp; Co. in correspondence with Addams agreed with a proposal that the recently launched reform magazine,\u00a0<em>The American Magazine<\/em>, publish six chapters \u201cas good advertisement for the book.\u201d Moreover, Macmillan appeared indifferent to the photographs, willing to accept any selection\u00a0<em>The American Magazine<\/em>\u00a0editors and Addams chose to use. In correspondence between Addams and her publishers, the costs of printing photographs, both on full-page glossy pages and on text pages never appeared to be at issue or an obstacle to publication.<\/p>\n<p>The editors of\u00a0<em>The American Magazine<\/em>\u2019s decided to commission Lewis Hine for photographs on Chicago\u2019s West Side. \u00a0Hine knew the area from his earlier time in 1900-1901 when working at the Parker School and studying at the University of Chicago. Hine the photographer in 1909 was a former school teacher and unknown to the public. \u00a0Florence Kelley, with ties to Hull-House and Hine\u2019s mentor Frank Manny, had recently praised Hine in print for his \u201cingenuity\u201d as a \u201cyoung photographer.\u201d<\/p>\n<p>In spring and summer of 1910 several months prior to the hard-cover book publication by MacMillan &amp; Co. at the end of October,\u00a0\u00a0<em>The American Magazine<\/em>\u00a0published the series of Hine\u2019s commissioned photographs on schedule. \u00a0Hine\u2019s imagery was striking with its realistic detail\u00a0of neighborhood adults and children going about their daily business on the streets, entering, and inside Hull-House.<\/p>\n<p>However, events\u00a0now took an unforeseen turn. For the book publication in late October, Jane Addams discarded the Hine photographs. \u00a0To illustrate drawings in black-line sketches for the hard cover not to distract from the centrality of her written text and her preeminent role at Hull-House, she selected Norah Hamilton, Art Director at Hull-House. Norah, sister to Dr. Alice Hamilton living at Hull-House, had majored in Art at college.<\/p>\n<p>An instructor in art workshops at Hull-House, she became\u00a0an apostle for\u00a0the aesthetics of beauty as an essential component in developing personal moral \u201ccharacter.\u201d In an educational setting, the viewpoint was largely shared by Addams. \u00a0Norah produced fifty-one illustrations for the book publication, only four identified \u201cfrom a Photograph by Lewis W. Hine.\u201d<\/p>\n<p>Hine\u2019s photographs were shot from perspectives of careering around the streets and alleys around Hull-House, then moving inside to picture club activities for neighborhood boys, \u00a0girls, and youth. In contrast, Hamilton\u2019s illustrated character sketches were drawn from a cloistered vantage point within\u00a0Hull-House gazing outside on the neighborhood through the window. She highlighted old-world shtetl village-like stereotypical scenes, reminiscent of Jacob Riis in New York in 1889.<\/p>\n<p>The contrasts between the photographer and the illustrator were arresting.\u00a0In Hamilton\u2019s drawings, clubs for boys with a billiard table and vocational shops largely vanished.\u00a0 The years following the financial Panic of 1906\u00a0 until 1911-12 were &#8220;hard times&#8221; with significant unemployment, rising prices, and &#8220;stagflation.&#8221; In Hine\u2019s photographs, the tell-tale signs of local street life visibly clung to people attempting to stay warm in their coats and scarves even inside Hull-House. His images were distinctive\u00a0and memorable. Hamilton\u2019s sketches were bland, faceless, one-dimensional, and forgettable.<\/p>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/09\/COAL-GLEANING-1024x701.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/09\/COAL-GLEANING-1024x701.jpg\" width=\"551\" height=\"377\" \/><\/a><\/p>\n<p>A rich narrative remains to be written about Jane Addams\u2019s critical relationship to the power of a graphic visual presentation challenging her commitment to the centrality of her written text. In a case of unintended consequences, a century later Hine\u2019s Chicago photographs remain widely\u00a0viewed and familiar while Addams\u2019s classic text is generally limited to classroom students of the Progressive Era in American history.<\/p>\n<p>Lewis Hine, forever the School Teacher with a School Camera. \u00a0bjb<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/pkismyfkp5umvufm0k7fh3jw8f67ctqy\">1-War Time Childhood<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/y9u6ohi4w6pcq11sdipdt2i5m2z7vns4\">2-Snare of Preparation<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/lxn0ujsk3059fwl70jrzrs7fwnvvjs13\">3-Early Undertakings at Hull-House<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/w08omuzxplfrvfsbc2ebwa28ckbwog10\">4-Problems of Poverty<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/i1k65ut01a35yc5phniq6kgbkboo58wp\">5-Resources of the Immigrant<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/q0gt235wxwu3xrpytl2z0c7k0lfitie4\">6-Echoes of the Russian Revolution<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/6xbpy9ow85vfbtewkoswx1dr6u72raal\">Norah Hamilton Sketches For <em>Twenty Years at Hull House<\/em><\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/jmypw9gsmfrsrzr6pmyr07dutzd010nv\">Lewis Hine Photographs and Norah Hamilton Sketches<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/krsly36s04fkj7ig3a5pccj9j67bbqaz\">Presentation: Visual Riddle on Chicago Streets, Jane Addams Rejects Lewis Hine\u2019s Urban Camera by Burton J. Bledstein<\/a><\/strong><\/li>\n<\/ul>\n<h3><\/h3>\n<h3>READING SUGGESTIONS<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/1gyo5qz3tub75f297rmg9reafbh5ynww\">Enlightened Reformers, Hull-House, Jane Addams<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/uofi.box.com\/s\/w53tlww5h26i8p7ifeiwjx7lp937cfue\">Liberal State \/ Illiberal Reformers<\/a><\/strong><\/li>\n<\/ul>\n<h3><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/enlightened-reformer\/jane-addams-writings\/\">JANE ADDAMS WRITINGS<\/a><\/h3>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4618.jpg\"><img loading=\"lazy\" class=\"details-image alignleft\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/02\/4618.jpg\" width=\"283\" height=\"456\" \/><img loading=\"lazy\" class=\"alignright\" src=\"https:\/\/maxwellhalsted.uic.edu\/wp-admin\/admin-ajax.php?action=imgedit-preview&amp;_ajax_nonce=cefef079a4&amp;postid=16463&amp;rand=94650\" width=\"285\" height=\"487\" \/><\/a><\/p>\n<p><a href=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/31_Jane-Addams2.jpg\"><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/maxwellhalsted.uic.edu\/files\/2017\/07\/31_Jane-Addams2.jpg\" width=\"264\" height=\"452\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Charles Hull stood on the steps of his new mansion at Polk and\u00a0Harrison streets, he took in a view of the city from what was a\u00a0suburban fringe of Chicago. The vast acres to the east stood unoccupied\u00a0with only the faint visages of streets outlined on the prairie. Even Halsted\u00a0Street at his doorstep was unpaved<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/maxwellhalsted.uic.edu\/home\/enlightened-reformer\/\">Read More<\/a><\/div>\n","protected":false},"author":981,"featured_media":0,"parent":29,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/pages\/8106"}],"collection":[{"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/users\/981"}],"replies":[{"embeddable":true,"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/comments?post=8106"}],"version-history":[{"count":363,"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/pages\/8106\/revisions"}],"predecessor-version":[{"id":21494,"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/pages\/8106\/revisions\/21494"}],"up":[{"embeddable":true,"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/pages\/29"}],"wp:attachment":[{"href":"https:\/\/maxwellhalsted.uic.edu\/wp-json\/wp\/v2\/media?parent=8106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}